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Either you transcode raw media to an intermediate codec, or you use simultaneous in-camera recording.
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Proxies are lower-resolution copies of your media that are created in one of two ways.
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With a little media management know-how, anybody can take advantage of proxy media’s portability.īy the end of this article, you’ll have a complete understanding of how to manage your FCP X library for proxy success, how to create proxies during or after import, and how to take your portable proxy media on the road. FCP X is uniqueīut because of FCP X’s unique library structure, how to take proxy media on the go remains a big source of confusion among editors. (And if that’s what you’re here to learn, feel free to skip ahead to Importing and Creating Proxies). Creating proxies is as easy as checking a box upon import. Say what you will about its initial release back in 2011, there’s no denying that FCP X was a leader in redefining the proxy workflow – it was the first of the big NLEs to allow for creating and switching to proxies with the click of a single button, all within the application.Īt its core, FCP X’s proxy workflow remains incredibly simple. In FCP X, proxies give you tons of flexibility – they increase playback and editing speed without forcing you to sacrifice quality, allow you to edit seamlessly on laptops and portable drives, and provide a streamlined project delivery, whether that includes a handoff to a mixer or colorist, or exporting a full quality output for a client.